top of page

Artist Research

Mark Fairnington

Slide-The-Beast-bga4a3a2.jpg
Leopard-Ey-Transparent-1020x1024.png

Mark’s paintings are well known for their intense realism. I particularly like Mark Fairnington's circular oil paintings of animal eyes. They are incredibly detailed, almost looking like photographs. He manages to portray an incredible amount of emotion from just painting a singular eye and the fur/ skin around it. In the wilderbeast above for example, it looks as though Mark has built up lots and lots of layers to achieve the amount of depth and detail in the fur. You can see each individual fine fur line.

Carla Grace - 'The Uninvited' series

f5f337_4498edc5823147c5b8889942d371abd4_mv2_edited.jpg
f5f337_62b1658fc009453c893147990dfc5bb7_mv2 (1).webp

Carla Grace is a wildlife artist, specialising in acrylic paint. Her ‘uninvited’ series is a particular favourite of mine. ‘The uninvited’ consists of a series of paintings she created of wild animals in which she would imagine inviting them all to a dinner party. The paintings show the animals, devouring red meat, breaking delicate cutlery, or bringing party gifts. The rhino is a particular favourite of mine. For such a large, strong animal, Carla has portrayed it as quite delicate and calm, carrying a flower in his mouth. Carla described the narrative of the Rhino piece as follows: “Despite all his efforts, our rhino was unable to carry the Hostess Gift all the way without trouble. By the time he arrived for dinner, the bouquet was destroyed, and he couldn't help but feel bashful about the failed attempt to impress.” The Rhino is a big contrast to the Lion, who has knocked over his empty glass of wine and has devoured all his food. Carla has written a text of what she believed the lion would say after his experience at the dinner party; “I assumed it was acceptable for me to arrive when it suited me best. However, the stain of red liquid across the table showed me that my time was not wasted spending it elsewhere. Needless to say, the remnants of what appear to be appetisers left much to be desired. I am, and always will be, a king. Should I be invited to anything like this in the future I expect that my reception will be better suited to my status. Severely Unimpressed.” - The King. I really like how Carla creates the contrast of light and dark in her paintings, It is very dramatic with the shadows being completely black and hidden, and the parts of the animal which are hit by the light are almost glowing. Having watched some videos by Carla Grace on Instagram I learnt she achieves the depth of her paintings by first creating a base layer, and then building lots of layers of fur with acrylic paint, glazing when she needs to.

Julie Hilboldt

IMG_2745.jpg
IMG_2749.jpg
IMG_2747.jpg

Julie Hilboldt is well known for her large-scale charcoal drawings and oil paintings. I particularly like her charcoal drawings, they are very messy and chunky, however she still manages to capture an immense amount of detail and emotion. Julie works on yupo paper with willow charcoal, compressed charcoal and water. On one of her reels on Instagram she shows how she dips her compressed charcoal stick in water to create more texture and deeper tones in her drawings. I tried this on my charcoal drawing of the bull, however I was not a fan of the outcome and decided not to continue with this method in the drawing. Julie also uses a rubber to add highlights at the end of her drawings, which I found extremely useful in my charcoal portraits to add dramatic highlights. In some of her paintings Julie uses a mixture of oil paint and charcoal which I found quite interesting as I haven’t saw this done before. I decided to give this a go but with acrylic instead of oil paint. Julie appears to use the charcoal first, add a fixative, and then go over this with oils. I decided to do this the opposite way. I first put down a base layer of acrylic, then went of this with willow charcoal, and then used a putty rubber to create highlights fur lines.

Dewi Plass

Screenshot (7)_edited.jpg
Screenshot (5)_edited.jpg
Screenshot (6)_edited.jpg
Screenshot (8)_edited.jpg

I came across Dewi Plass on instagram, she has inspired me to add symbolism into my wildlife artwork. Her oil paintings are filled with imagery and symbolism and are extremely interested to look at. I particularly like the small bird on a miniature rocking horse, it is very delicate. Dewi Plass's work is quite surreal, you would never see any of these images happening in real life, for example the deer with honeycomb in its ears. At first glance I thought Dewis' medium of choice was oil paint, however after further research I discovered she uses acrylic paint. It amazes me how she achieves the level of softness in her paintings with acrylic paint.

Daniel Wilson

Screenshot (10)_edited.jpg
Screenshot (12)_edited.jpg
Screenshot (11)_edited.jpg

Daniel Wilson creates extremely detailed wildlife paintings with oil, acrylic and charcoal. I particularly like his charcoal drawings with splashes of paint. These works gave me inspiration for my totem pole painting. Daniel Wilson has a series of videos on YouTube giving advice and tips on painting. I found one video particularly helpful in which he shows how he creates a painting using a mixture of acrylic paint and charcoal. I applied his method to some of my paintings.

Screenshot (9)_edited.jpg
bottom of page